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I discussed a simple modification to an Apex 205 ribbon mic, and recorded samples to illustrate the change. Here are some concluding thoughts, and helpful resources for anyone planning to tweak a ribbon mic: Should you do this mod? Whether or not you should modify your own ribbon mic depends largely on your answers to […]

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Yesterday, I described a simple modification on the Apex 205 ribbon mic. To show the results of the mod, I recorded samples using both the modded 205 and a stock version of the same mic. Methodology I recorded each pair of clips below simultaneously, which makes A/B comparison easy: Line up the beginning of both […]

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I have two Apex 205 microphones, the cheap Chinese ribbon mics appearing in amateur mic collections everywhere. Even out of the box, these microphones (and the equivalent mics from Nady, Thomann, SM Pro, et. al.) sound decent. But a DIY’er can easily make 2 changes to improve the sound: Remove unnecessary screening from the mic […]

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A custom reverb can add a unique signature to your recordings. And since practically every space reverberates, a home made reverb often requires no more than a speaker, and microphone to capture reflected sound. Understandably, then, reverb units are popular do-it-yourself projects for musicians and recording engineers. Spring and plate reverbs are the easiest designs […]

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Here are a couple of sites I’ve enjoyed recently that you might not have seen: Homemade noize, a growing collection of DIY projects and software plugins, mostly aimed at amateur recording enthusiasts. And Spinmeister’s Extreme Mixer (eMXR) site, which focuses on online collaboration and remixing. From the site: Long held business models for recorded music […]

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Make a cassette loop for about 6 seconds: As some of the commenters note, this could be used for old school loop-based effects. Exactly HOW you’d do that is not covered, of course. The Time Correction Wiki: Described as a website “dedicated to the study and practice of time correction techniques in audio engineering and […]

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For those of us on a budget, “cheap” ribbon mics (referenced in the last post) make for a great introduction to recording with ribbons. Most of the cheaper ribbon mics are manufactured in China. Among the most popular: Apex, Shiny Box, and Nady. I have a pair of Apex 210s that make great drum “underheads” […]

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Here are detailed instructions for building your own plate reverb: Typically, the plate is a large sheet of steel suspended in a tubular steel frame. In theory, the plate simulates a large concert hall, or church, with a decay time of approximately five seconds at approximately 500 Hz. A driver attached to the plate excites […]

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While a cheap reverb can hurt your recordings, some of the best-loved reverb sounds in history were happy accidents. Electronic Musician has a great article on finding your own distinct reverb sound in the space around you: … for all its wonders, digital reverb is not indispensable, nor is it always the best way to […]

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Unless your recording room is acoustically treated, you probably capture “room sound” in your recordings. This isn’t necessarily bad: Some rooms have a great ambience which adds natural depth to a mix. But the room sound in smaller spaces, like most bedroom and basement project studios, usually hurts rather helps a track. Ethan Winer outlines […]

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For critical listening, like mixing and mastering, your speakers are obviously important. Often overlooked, however, is the importance of the stands on which the speakers sit. For best performance, monitor and hifi speakers should be level with the listener’s ears. Good speaker stands improve the bass response of just about every speaker, and a good […]

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You generally shouldn’t record vocals without a pop filter (also called a “pop screen,” “pop shield,” or “popstopper.”) The bassy pops that result from plosive sounds are difficult to remove once a track has been recorded. But unlike most studio gear, you don’t have to spend lots of money for a professional quality pop filter. […]

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