I keep a collection of audio samples designed to help check my monitor setup. Test tones, essentially, that I use after I’ve moved my speakers or desk, to ensure the speakers still behave as they should.
I’ve included 4 of the samples below, and I hope you find them useful – and possibly enlightening. Each tests a facet of the two most common monitoring problems in home studios: Uneven bass response, and poor stereo imaging.
Sine wave sweep
Contents: A sine wave sweeping from 40Hz to 300Hz.
Use this to test for: Bass response, sympathetic vibrations.
Unless you’re outdoors, or listening on headphones, you’ll notice the volume rising and falling as the audio plays. That’s normal, although the level doesn’t actually change. (Open the MP3 in your DAW to confirm this.) Rather, you’re exposing the acoustic response of your room.
Use this test as a rough gauge of how extreme the acoustic issues are in your space. (You can flatten the response somewhat, but acoustic treatment is a topic unto itself. For some more information, check the quick backgrounder on home studio acoustics.)
Additionally, the sweep can expose low-frequency dependent rattles, buzzes, or other sympathetic vibrations happening in the area around you. With this test, I once discovered the casing on an overhead light shook at exactly 140Hz, after puzzling with a mix for 15 minutes, unable to isolate the odd rattling sound.
Two octave walk-up
Contents: Consecutive semitones from G1 (49Hz) to E3 (164.8Hz)
Use this to test for: Bass response, specific problem notes.
Here, the tone ascends through a chromatic scale. Certain notes will jump out or disappear, for the same reasons as above. Remember these notes, as they’re important to the character of your mixing space. Specifically, when you know that, for example, the B at 61.7Hz drops in volume in your space, you can reconsider when you find yourself reaching for the fader every time the bass guitar plays B.
5-point pan check
Contents: 5 bursts of white noise at different pan positions.
Use this to test for: Coarse panning issues.
This file plays sound at the center, hard left, hard right, half left, and half right. If you don’t hear 5 separate panning locations, you’ve got stereo issues!
Most stereo imaging problems are caused by incorrect speaker configuration (i.e. the speaker aren’t equal distances from your ears,) and poor room acoustics.
Short-pan test
Contents: White noise at 3 different pan positions.
Use this to test for: Fine panning issues.
This file plays a sound at 50% left, then hard right, then 25% left. (The jump to the right distracts your ear so it can’t track the sound moving from 50% to 25%) The 3 sounds then repeat on the other side.
Most listeners can reliably distinguish 5 or 7 distinct pan positions. So if your stereo imaging is clear across 9 points, i.e. 25% increments, you’re in good shape (for mixing in a home studio, at any rate.)
On the other hand, if the difference from 50% to 25% isn’t clear in your monitors, or is more defined on one side, you might want to consider using headphones to verify your important panning decisions.
Note: Since these test don’t require high fidelity, MP3s should be fine for checking your setup. However, here are links for WAV versions of the test:
Sine Wave Sweep – 40Hz – 300Hz
Consecutive semitones from G1 (46.2Hz) to F3 (174.6Hz)
White noise at 5 pan positions
White noise at 3 pan positions
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21 comments
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10nx.
I just moved to a new room with no acoustic treatment.
I’m going to try out the tests….
Very interesting article. Obviously my room has some issues! I will definately post a link to this from my site (www.TheFruitTree.info).
This has given me an idea, if I place the 40hz to 300hz file into FL Studio and use a graphic EQ, I will be able to tell the exact frequencies that I am having issues with and account for them!
Could I get these as WAV files, I can’t download the mp3 versions.
much appreciated.
krash2kill@yahoo.com
Yeah, I am having problems downloading the mp3’s too. I would also really appreciate it if you could send me the WAV files.
Just to let you know, this article is really helpful for a beginner like me.
Great job! Cheers
A useful VST for this kind of thing is the MDA TestTone plugin. You can play arbitrary sines, pink, white noise, series of tones, sweeps, etc. I used it to even out the bass response at my listening postition after getting my Blue Sky Prodesks set up :D
Good call Kemmler.
Here’s a link to the MDA plugins (for the Google-impaired) http://mda.smartelectronix.com/vst/help/contents.htm
Brilliant Test – handy Audio (I loaded wav into Logic and used eq analyzer).
Real issues at 80hz and 120 hz….any ideas how to fix on the cheap. D.I.Y?
Really nice post, thanks for a good work.
Thanks for the tests.
The Two octave walk-up test made me spot a strange sounds. Turns out some cables were bouncing and making a sound as if one of my tweeters had gone bad.
Thanks
thank you for this, i was wondering if i blew a fuse on my studio monitors and i think i did!..just changed the fuse and everything is sounds good again. Cheers!
-Drew
Hi, just setting up my montiors and looking for some calibration/test tone software. Came across this site. Very good info. here, thank you.
Have to download test tones to PC and then burn a cd to play in my Roland VS unit.
How do I download the test tones only and not keep playing them?
Thanks
Bboy
Great article. I’m in the process of redesigning my studio and these resources will surely help. I always knew that there was a way for me to test the acoustics in my room.. this article made everything so clear to me.
Hi, I found very interesting your article, Great!!!!
I have a problem here, when i play a mono sound on my monitors, the sound is slightly panned to the left.
Ive checked the monitor symmetry and its ok.
What could it be?
Thanks…
Your description of the consecutive semitone test contradicts the semitone chart at this link (and other charts that are the same) – http://www.indiana.edu/~emusic/hertz.htm.
Your description indicates that G1 is 46.2Hz. The chart says it is 49.0Hz and that F#1 is 46.2Hz. Having said that, the frequency you attribute to F3 of 174.6Hz is correct.
In addition, your description indicates that the tone range is chromatic from G1 to F3, which should be a total of 23 semitones, inclusive. Your test file, however, contains only 22 semitones.
Please clarify and thanks!
Thanks for catch, Mitchell. I fixed the text.
Excellent tests! Thank you :)